Questions

What can the simultaneous experience of two apparently oppositional (irreconcilable?) media forms tell us about both/either/other?

What happens when mobility becomes truly ubiquitous? What happens when theatre goes mobile?

How far do traditions of etiquette extend (and what is the fallout when they are forcefully renegotiated)?

Is theatre (a) social media?

Where are the boundaries between theatre, performance and mobile media?

More to come!

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